
Appraisal: WWII Concentration Camp Liberation Archive
Clip: Season 30 Episode 14 | 4m 23sVideo has Closed Captions
Appraisal: WWII Concentration Camp Liberation Archive
See Jeff Shrader appraise a WWII concentration camp liberation archive in Grant's Farm, Hour 2.
Problems playing video? | Closed Captioning Feedback
Problems playing video? | Closed Captioning Feedback
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Appraisal: WWII Concentration Camp Liberation Archive
Clip: Season 30 Episode 14 | 4m 23sVideo has Closed Captions
See Jeff Shrader appraise a WWII concentration camp liberation archive in Grant's Farm, Hour 2.
Problems playing video? | Closed Captioning Feedback
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Learn Moreabout PBS online sponsorshipGUEST: My father was a, uh, World War II veteran and also an amateur photographer.
So he took his camera to Europe and took pictures all along on their march.
These pictures here are from Buchenwald in Germany.
He was there when the, uh, concentration camp was liberated.
APPRAISER: And what relation does this doll have?
GUEST: Well, the pictures that he took, he couldn't just develop and send back.
So, he bought this doll in France and opened the head on the back and stuffed in film canisters, which had these pictures on them.
He shipped it back to my aunt, who was one year old then, and left a note saying, "Please do not let Darlene play with the doll."
And my aunt never played with the doll.
So... APPRAISER: And do we know what unit he served in?
GUEST: He was in, uh, Patton's Third Army.
APPRAISER: Your dad was involved in two fairly significant liberations.
He was at Ohrdruf, and that's April 4 of 1945, and then a week later, at Buchenwald.
Ohrdruf was a satellite camp of Buchenwald.
And Eisenhower came in to visit that camp.
And when he saw that, that really redirected the focus and opened the eyes about what was going on inside the camps.
GUEST: Mm-hmm.
APPRAISER: The stark reality of it was just jaw-dropping.
GUEST: Yeah, yes.
APPRAISER: And when you brought these photos in, even to open those envelopes and look and see the images, they have a profound effect on you as a human being.
GUEST: For sure.
APPRAISER: You had a number of pictures of the atrocity.
We're not going to display those... GUEST: Right.
APPRAISER: ...out of respect to those that lost their lives.
GUEST: For sure.
APPRAISER: But these photographs out front here, face down, represent that.
They are shocking and disturbing on a deep level.
GUEST: Harsh, right.
APPRAISER: These places existed within a mere kilometer or two... GUEST: Right.
APPRAISER: ...of occupied towns.
GUEST: Of a town, sure.
APPRAISER: There were plenty of people who knew.
There were plenty of people who thought that they were doing the right thing.
That's the scary thing.
GUEST: Yes, right.
APPRAISER: Once you start seeing other people as something other than human beings, that's when truly terrible things can happen.
GUEST: Yes, sir.
APPRAISER: One of the first things that happened was, General Eisenhower ordered that the local German civilians be brought in to see what had been happening.
GUEST: Yes.
APPRAISER: Here, we see them digging graves... GUEST: Mm-hmm.
APPRAISER: ...for executed prisoners.
And then, your dad has some annotations on the back that explain what the ones on the far side here indicate.
You've got a woman coming out just in complete tears.
Because she's either in disbelief or shock or horror or whatever.
She's had that real reaction... GUEST: Mm-hmm.
APPRAISER: ...that any true human being will have.
And the woman to her right is laughing and making fun of her.
GUEST: Yeah.
APPRAISER: According to your father's notation.
GUEST: Right.
APPRAISER: Which, she hasn't gone through yet.
The other woman's coming out.
You hope for her soul that she had a change of heart... GUEST: Right, right.
APPRAISER: ...once she was in there.
These are other photographs of the German civilians being forced to witness these atrocities.
GUEST: Right.
APPRAISER: Your dad was so compelled that he felt the need to actually break all the rules and smuggle those images home to make sure that they were seen.
One of the most disturbing things about the history of the Holocaust is that there were non-believers at the time.
GUEST: Right.
APPRAISER: And one of the truly most disturbing things is that there are non-believers today.
GUEST: Today.
APPRAISER: Historians' best estimates at this point are that over six million Jews perished in the Holocaust and another six million or so others died, as well.
GUEST: Right.
APPRAISER: They enslaved the entirety of the continent.
They shot Slavs, uh, homosexuals, Jehovah's Witnesses, uh, petty criminals.
It's hard to put a value on something like this, because we're talking about cultural value and historical value.
GUEST: Mm-hmm.
APPRAISER: But let's say, for example, you wanted to have this insured.
We are comfortable with an insurance value on this set at $10,000.
GUEST: Oh, my God.
That's amazing.
APPRAISER: Breaks our heart.
I know it broke my heart looking at these images.
GUEST: Yeah.
They're powerful.
Appraisal: 1959 JFK’s Boxer Shorts with Signed Photo
Video has Closed Captions
Clip: S30 Ep14 | 3m 30s | Appraisal: 1959 JFK’s Boxer Shorts with Signed Photo (3m 30s)
Appraisal: 1960 Ansel Adams Portfolio III: Yosemite Valley
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Clip: S30 Ep14 | 3m 42s | Appraisal: 1960 Ansel Adams Portfolio III: Yosemite Valley (3m 42s)
Appraisal: 1963 Jerome Tiger "Trail of Tears" Paintings
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Clip: S30 Ep14 | 4m 1s | Appraisal: 1963 Jerome Tiger "Trail of Tears" Paintings (4m 1s)
Appraisal: 1964 Gold-filled Medal Beatles Lockets
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Clip: S30 Ep14 | 1m 3s | Appraisal: 1964 Gold-filled Medal Beatles Lockets (1m 3s)
Appraisal: 1972 Victor Vasarely Bas-relief
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Clip: S30 Ep14 | 2m 2s | Appraisal: 1972 Victor Vasarely Bas-relief (2m 2s)
Appraisal: 1978 Kenner Star Wars Bell Store Display Sign
Video has Closed Captions
Clip: S30 Ep14 | 1m 52s | Appraisal: 1978 Kenner Star Wars Bell Store Display Sign (1m 52s)
Appraisal: 1986 Pleasant Co. Molly Doll in Original Clothes
Video has Closed Captions
Clip: S30 Ep14 | 3m 30s | Appraisal: 1986 Pleasant Co. Molly Doll in Original Clothes (3m 30s)
Appraisal: French Art Deco Music Hall Poster, ca. 1931
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Clip: S30 Ep14 | 1m 5s | Appraisal: French Art Deco Music Hall Poster, ca. 1931 (1m 5s)
Appraisal: Harold Newton Oil on Fiberboard, ca. 1975
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Clip: S30 Ep14 | 2m 26s | Appraisal: Harold Newton Oil on Fiberboard, ca. 1975 (2m 26s)
Appraisal: Märklin Schlitz Beer Train Car, ca. 1906
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Clip: S30 Ep14 | 2m 53s | Appraisal: Märklin Schlitz Beer Train Car, ca. 1906 (2m 53s)
Appraisal: Papal States Micromosaic Jewelry, ca. 1845
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Clip: S30 Ep14 | 2m 31s | Appraisal: Papal States Micromosaic Jewelry, ca. 1845 (2m 31s)
Appraisal: Persian Qashqai Gabbeh Rug, ca. 1935
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Clip: S30 Ep14 | 2m 47s | Appraisal: Persian Qashqai Gabbeh Rug, ca. 1935 (2m 47s)
Appraisal: Rolex “Pre-Daytona” with Box & Papers, ca. 1965
Video has Closed Captions
Clip: S30 Ep14 | 4m 48s | Appraisal: Rolex “Pre-Daytona” with Box & Papers, ca. 1965 (4m 48s)
Appraisal: Southeast Asian Hardwood Trunk, ca. 1975
Video has Closed Captions
Clip: S30 Ep14 | 1m 4s | Appraisal: Southeast Asian Hardwood Trunk, ca. 1975 (1m 4s)
Video has Closed Captions
Preview: S30 Ep14 | 30s | Preview: Grant's Farm, Hour 2 (30s)
Owner Interview: 1986 Pleasant Co. Molly Doll in Original Clothes
Video has Closed Captions
Clip: S30 Ep14 | 1m 30s | Owner Interview: 1986 Pleasant Co. Molly Doll in Original Clothes (1m 30s)
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